Design and produce a title sequence for a proposed E4 TV programme
(I have chosen Top 10 voice actors)
It should clearly communicate the subject, concept, content and mood of programme in a way that will engage an audience who have chosen to tune in.
Engage audience from the start of programme they will already have a specific interest in the subject.
Tone of voice should be appropriate to the content (in my case it shall be humourous)
Has to be between 30 and 50 seconds in length in 16:9 format and deliverd as a quicktime file
Work will need to be presented in an online i web portfolio, research, design development, storyboards and test pieces all need to be digital.
The numbers 1-10 should provide the visual focus for your resolution.
Wednesday, 14 January 2009
Tuesday, 13 January 2009
Villian sequences
This one made me laugh because we have been talking about appropriate sound for the final sequence and this really wouldn't be ideal but fits really well and is humorous...
This was my idea for cartoon villains i wanted them to be having a conversation between themselves using different clips as i am going to focus on top 10 cartoon voice actors...
Mel blanc will be number one as he is 'the man of many voices' heres a few videos of him talking about his work
This was my idea for cartoon villains i wanted them to be having a conversation between themselves using different clips as i am going to focus on top 10 cartoon voice actors...
Mel blanc will be number one as he is 'the man of many voices' heres a few videos of him talking about his work
Tuesday, 6 January 2009
E4 Stings
Here are three e4 stings i found interesting and some humourous, they all have the e4 brand colour purple and simple backing music, they also all have unusual but an inventive way of producing the e4 logo.
Because i am creating the opening tv sequence i need to look at opening titles to see how much information they give away about their programme and what they use to hook the viewers...
Here is an opening sequence for disorder tv
This sequence keeps you hooked with the use of flowing aspects throughout the scenes emphasised with the quick paced music causing a build up.a The intriguing images and use of mixed media is also attention grabbing and aesthetically pleasing. There is no typography throughout until the end so its very easy on the eye. I think its intended for a young disordered audience (from the word disorder intends that its for an audience who are anti the original) such as young adults interested in music and fashion/art.
I am using cartoon in my opening sequence so i have been analysing some existing cartoon titles this hong kong phoey one keeps the viewers guessing and watching with the rhetorical question of guessing who the super guy is... I could use this technique with my top ten.
Most opening credits on tv show a preview of whats to come in the show an its usually one of the best bits to keep the viewer watching.
The big brother advert includes the e4 branding and logo but also keeps to its original big brother theme with the eye and use of type.
Because i am creating the opening tv sequence i need to look at opening titles to see how much information they give away about their programme and what they use to hook the viewers...
Here is an opening sequence for disorder tv
This sequence keeps you hooked with the use of flowing aspects throughout the scenes emphasised with the quick paced music causing a build up.a The intriguing images and use of mixed media is also attention grabbing and aesthetically pleasing. There is no typography throughout until the end so its very easy on the eye. I think its intended for a young disordered audience (from the word disorder intends that its for an audience who are anti the original) such as young adults interested in music and fashion/art.
I am using cartoon in my opening sequence so i have been analysing some existing cartoon titles this hong kong phoey one keeps the viewers guessing and watching with the rhetorical question of guessing who the super guy is... I could use this technique with my top ten.
Most opening credits on tv show a preview of whats to come in the show an its usually one of the best bits to keep the viewer watching.
The big brother advert includes the e4 branding and logo but also keeps to its original big brother theme with the eye and use of type.
Monday, 5 January 2009
Videos of villains
Yzma Emporers New Groove
Lucifer Cinderella
Emperor Zurg
Hades
Elmyra Jessica Duff
Mandark
Lucifer Cinderella
Emperor Zurg
Hades
Elmyra Jessica Duff
Mandark
Saturday, 3 January 2009
Disney Animators - Don Bluth, and Frank Thomas
Donald Virgil Bluth (born September 13, 1937 in El Paso, Texas) is an American animator and independent studio owner.
Bluth became one of the chief animators at The Walt Disney Company in the 1970s. Along with fellow animators Gary Goldman and John Pomeroy, he set out in 1979 to start his own animation studio, Don Bluth Productions. His style tends toward rougher and more energetic portrayals than that of Disney films, and tend to have a mystical element to them.
The first two films he worked as an assistant animator on were Sleeping Beauty and The Sword in the Stone, for both of which he was uncredited. He would not return to Disney until in the 1970s, when he was an animator on Robin Hood, The Rescuers, The Many Adventures of Winnie the Pooh and Pete's Dragon. His last involvement with Disney was the 1978 short The Small One; he drew a few scenes for The Fox and the Hound (where he was once again uncredited), but left early in production.
When he left he opened his own studio Sullivan Bluth Studios established in 1985 along with several other co-workers, this animation studio was the answer for 'land before time', 'all dogs go to heaven' and 'Rock-a-doodle'
The pebble and the peguin was the last animated film to be produced in 1995 and then Sullivan Bluth Studios join Fox animation studios to work on Anastasia and Titan A.E
Franklin "Frank" Thomas (September 5, 1912 – September 8, 2004) was an American animator. He was one of Walt Disney's team of animators known as the Nine Old Men.
His work in animated cartoon shorts included The Brave Little Tailor, in which he animated scenes of Mickey Mouse and the king; Mickey and the bear in The Pointer, and German dialogue scenes in the World War II propaganda short Education for Death (shortly before Thomas enlisted in the Air Force).
In feature films, among the characters and scenes Thomas animated were the dwarfs crying over Snow White's "dead" body, Pinocchio singing at the marionette theatre, Bambi and Thumper on the ice, Lady and the Tramp eating spaghetti, the three fairies in Sleeping Beauty, Merlin and Arthur as squirrels and the "wizard's duel" between Merlin and Madam Mim in The Sword in the Stone, in which he was paired with animator Milt Kahl to great effect, King Louie in The Jungle Book (the song number "I Wan'na Be Like You" featuring King Louie and Baloo the Bear re-teamed him with Kahl), the dancing penguins in Mary Poppins, and Winnie The Pooh and Piglet in the Winnie The Pooh featurettes. Thomas was directing animator for several memorable villains, including the evil stepmother Lady Tremaine in Cinderella, the Queen of Hearts in Alice in Wonderland, and Captain Hook in Peter Pan.
He retired from Disney on January 31, 1978.
www.wikipedia.org
Bluth became one of the chief animators at The Walt Disney Company in the 1970s. Along with fellow animators Gary Goldman and John Pomeroy, he set out in 1979 to start his own animation studio, Don Bluth Productions. His style tends toward rougher and more energetic portrayals than that of Disney films, and tend to have a mystical element to them.
The first two films he worked as an assistant animator on were Sleeping Beauty and The Sword in the Stone, for both of which he was uncredited. He would not return to Disney until in the 1970s, when he was an animator on Robin Hood, The Rescuers, The Many Adventures of Winnie the Pooh and Pete's Dragon. His last involvement with Disney was the 1978 short The Small One; he drew a few scenes for The Fox and the Hound (where he was once again uncredited), but left early in production.
When he left he opened his own studio Sullivan Bluth Studios established in 1985 along with several other co-workers, this animation studio was the answer for 'land before time', 'all dogs go to heaven' and 'Rock-a-doodle'
The pebble and the peguin was the last animated film to be produced in 1995 and then Sullivan Bluth Studios join Fox animation studios to work on Anastasia and Titan A.E
Franklin "Frank" Thomas (September 5, 1912 – September 8, 2004) was an American animator. He was one of Walt Disney's team of animators known as the Nine Old Men.
His work in animated cartoon shorts included The Brave Little Tailor, in which he animated scenes of Mickey Mouse and the king; Mickey and the bear in The Pointer, and German dialogue scenes in the World War II propaganda short Education for Death (shortly before Thomas enlisted in the Air Force).
In feature films, among the characters and scenes Thomas animated were the dwarfs crying over Snow White's "dead" body, Pinocchio singing at the marionette theatre, Bambi and Thumper on the ice, Lady and the Tramp eating spaghetti, the three fairies in Sleeping Beauty, Merlin and Arthur as squirrels and the "wizard's duel" between Merlin and Madam Mim in The Sword in the Stone, in which he was paired with animator Milt Kahl to great effect, King Louie in The Jungle Book (the song number "I Wan'na Be Like You" featuring King Louie and Baloo the Bear re-teamed him with Kahl), the dancing penguins in Mary Poppins, and Winnie The Pooh and Piglet in the Winnie The Pooh featurettes. Thomas was directing animator for several memorable villains, including the evil stepmother Lady Tremaine in Cinderella, the Queen of Hearts in Alice in Wonderland, and Captain Hook in Peter Pan.
He retired from Disney on January 31, 1978.
www.wikipedia.org
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